Wednesday, February 10, 2010

Warao Myth 2: The Origin of Stars


This myth from the Warao people of the Orinoco Delta appears in a book by the French anthropologist Claude Levi-Strauss called "The Raw and The Cooked: Introduction to a Science of Mythology", a sometimes head-scratchingly intense attempt to tease abstract meanings out of indigenous myths from across the Americas and show the psychological patterns underlying them.

Levi-Strauss, who died aged 100 in October 2009, was an inspired thinker who tried to deconstruct indigenous mythology to try and answer fundamental questions about human thought and motivation and the differences between the "raw" elements of nature and the "cooked" elements of human culture.

Although sometimes baffling in places, my dog-eared copy of "The Raw and the Cooked" has been a constant companion on my travels into the jungle regions of Venezuela ever since I bought it in the British Museum bookshop in 1989.

Frustratingly, most of the Venezuelan myths Levi-Strauss refers to in the book are only presented in summary form but this Warao myth is published in its entirety.


The Origin of the Stars

Once upon a time there were two brothers, the elder of whom was a celebrated hunter. Each day he went farther afield in search of game, with the result that finally he came to creek he had never seen before. He climbed into a tree standing at its edge so as to watch for the animals that came to drink. Suddenly he saw a woman wading through the water toward him and he thought her behaviour very curious. Each time she put her hand into the creek she brought out two fish, and each time she ate one of them and put the other into her basket.

She was a very big woman, a supernatural being. On her head she was wearing a calabash, which she occasionally took off and threw into the water in such a way as to make it spin like a top. When she did this, she would stop to watch it, and afterwards she would walk on again.

The hunter spent the night up the tree and returned to the village the next day. He told the story to his young brother, who begged to go with him in order to see "such a woman who can catch so many fish and can eat them as well."

"No", was the reply,, "because you are always laughing at everything and you might laugh at her."

But the young man promised to keep a straight face, and the elder brother allowed himself to be persuaded.

When they reached the stream, the elder brother climbed into his tree, which stood a little way back from the edge; the younger one insisted on taking up his position in a better-placed tree, so as to miss nothing, and he sat on a branch overhanging the water. The woman soon arrived and began behaving as before.

When she reached the spot directly beneath the young brother, she noticed the reflection of his shadow in the water. She tried to catch hold of it, and when she failed, kept on trying.

She put her hand in quickly, first to this side and then that, but of course she did not succeed, and what with all her queer gesticulations and funny capers she made so ridiculous an appearance that the brother up above could not resist laughing at her vain attempts to seize the substance of the shadow. He laughed and laughed and could not stop laughing.

Thereupon, the woman looked up and spied the two brothers. Furious at having been laughed at, she launched an attack with poisonous ants (Eciton species [New World army ants]); they bit and stung the boy so badly that to escape from them, he had to throw himself into the water, where the woman caught him and ate him.

Afterwards, she captured the other brother and put him in her well-secured basket. On returning to her hut, she put the basket down and forbade her two daughters to touch it.

But as soon as her back was turned, her daughters lost no time in opening it. They were delighted with the hero's physical appearance and his talents as a hunter. Both of them, indeed, feel in love with him, and the younger one hid him in her hammock.

When the time came for the ogress to kill and eat her prisoner, the daughters confessed to their misdeeds. The mother agreed to spare her unexpected son-in-law, on condition that he go fishing on her behalf. But however big the catch he brought back, the ogress would devour it all, apart from two fish. Eventually, the hero was so worn out that he fell ill.

The younger daughter, who was by now his wife, agreed to run away with him. One day he told his mother-in-law that he had left his catch in his canoe, and that she should go and fetch it (a fisherman was not supposed to carry the fish himself, since this would spoil his luck). However, he had arranged for a an alligator to be under the canoe, and the ogress was devoured.

The elder daughter, discovered the murder, sharpened her knife and pursued the culprit.

When she was about to catch up with him, he ordered his wife to climb a tree, and followed after her. But he was not quick enough to prevent his sister-in-law cutting off one of his legs.

The detached member sprang to life and became the mother of birds (Tinamus species).

You can still see, in the night sky, the hero's wife (the Pleiades); lower down, the hero himself (the Hyades) and lower still, his severed leg - Orion's belt.

Tuesday, December 22, 2009

Angel Falls or Kerepakupai-Meru?


Since coming to power in Venezuela in 1999, President Hugo Chavez has renamed the country, the currency and the mountain that separates the capital city from the Caribbean sea. Now he's turned his attention to the country's most famous landmark Angel Falls, or Salto Angel in Spanish, which at 979 metres (3,212 feet) is the highest waterfall in the world, Venezuela's greatest natural treasure and a top tourism destination.

The falls are currently named after the US aviator and adventurer Jimmie Angel, who first saw the record-breaking natural wonder from the cockpit of his plane in 1933 while searching for a river of gold.

Speaking on his weekly radio and TV programme "Hello, President", Mr Chavez said: "How can we accept this idea that the falls were discovered by a guy who came from the United States in a plane?"

"If we do that, that would be like accepting that nobody was living here," he added, suggesting that from now on Angel Falls should be renamed to show respect to the Pemon Indians who inhabit the remote Gran Sabana region in the south of Venezuela, and who were there centuries before the US bush pilot saw the falls.

The waterfall gushes forth from an enormous heart-shaped mesa mountain, which already has an indigenous Pemon name: Auyan-tepui, or Aiyan-tepuy, which means "Devil Mountain", according to Father Cesareo Armellada's "Diccionario Pemon".

Following his first flypast of the falls in 1933, Jimmie Angel attempted a landing on Auyan-tepui in 1937 but his Flamingo monoplane "El Rio Caroni" sank into soft ground.

The crash left Jimmie, his wife Marie (shown left with Jimmie) and the Venezuelans Gustavo Heny and Miguel Delgado stranded atop the isolated mountain. They had limited supplies and had to trek to safety through unexplored terrain.

It took Angel and his party 11 exhausting days to make their way down to the Pemon village of Kamarata.

As news of their adventure spread across the globe, Jimmie Angel's name became inextricably linked with the waterfall, which was named Angel Falls in honour of his exploits.

The "Rio Caroni" was eventually taken down from the top of Auyan-tepui by the Venezuelan Air Force in the 1970s and now stands outside Ciudad Bolivar airport, where modern-day tourists start their trips to Canaima Camp, the starting point for river trips to Angel Falls and flyovers in small planes.

Angel died aged 57 of injuries sustained in a plane accident in Panama in 1956.

In July 1960, in line with his wishes, Jimmie Angel's ashes were scattered over the falls by his two sons.

President Chavez acknowledged that Angel "was the first one to see it from a plane", but insisted it should have an indigenous name.

"That is ours, and was a long time before Angel ever got there... how many millions of indigenous eyes saw it, and prayed to it?" he added.

Referring at first to Churun-Meru, the Pemon name for a smaller waterfall that cascades from the Auyan-tepui mountain, Mr Chavez was subsequently corrected by his daughter Maria, who passed him a note stating the correct Pemon name for the falls is Kerepakupai-Meru, meaning "waterfall of the deepest place".

"Nobody should speak of Angel Falls any more," said the president.

However, there could be a challenge to the new name. While some Pemon refer to the waterfall as Kerepakupai-Meru, it is referred to in older reports as Parekupa-Meru, from the Pemon words kupa meaning "deep water", pare meaning "more", and meru meaning "waterfall".

The Venezuelan president's call for a name change comes at a moment of increasing interest in the world's highest waterfall. It featured as "Paradise Falls" in the Pixar/Disney movie "Up" and has made it into the final 28 candidates of a global internet campaign to find the New Seven Wonders of Nature.

By Russell Maddicks

Report on Jimmie Angel and the "discovery" of Angel Falls

Auyan-tepui, Angel Falls and Pemon myths

Angel Falls competing to be one of the 7 Wonders of Nature

Video clip of Angel Falls from David Attenborough's BBC series "Planet Earth"

Pixar's movie "Up" explores Venezuela's Lost World of Roraima, Angel Falls

Spectacular video clip of oldest base Jumper to leap from the top of Angel Falls



View of the falls from a pool below the "Mirador", where in the dry season visitors can bathe in the waters of Salto Angel. (All photos are the property of Russell Maddicks)

Friday, December 4, 2009

Watunna - An Orinoco Creation Cycle



One of the finest books ever published on South American indigenous myths, "Watunna", by French-born geologist Marc de Civrieux contains the epic history and creation myths of the So'to (also known as Makiritare, Maquiritare, Dekuana and Yekuana) - a rainforest people of the Upper Caura and nothern bank of the Orinoco rivers.

Civrieux's comprehensive overview of So'to myth was the culmination of nearly 30 years of travel and study among Venezuela's indigenous groups.

Watunna first came out in Spanish in 1970 to great acclaim, although it was 10 years until the US anthropologist David Guss, from Tufts University, published an English version, expanded to include Civrieux's retelling of the "Medatia" myth cycle, which recounts the origins of shamanism.

"Watunna" presents myths explaining the discovery of fire, the origins of evil on Earth, of the night, of sexuality and food, and the story of the first rain, which gave birth to the rivers.

The following is an extract from "Watunna: An Orinoco Myth Cycle"

Seruhe Ianadi
There was Kahuña, the Sky Place. The Kahuhana lived there, just like now. They're good, wise people. And they were in the beginning too. They never died.

There was no sickness, no evil, no war. The whole world was Sky. No one worked. No one looked for food. Food was always there, ready.

There were no animals, no demons, no clouds, no winds. There was just light.

In the highest Sky was Wanadi, just like now. He gave his light to the people, to the Kahuhana.

He lit everything down to the very bottom, down to Nono, the Earth. Because of that light, the people were always happy. They had life. They couldn't die.

There was no separation between Sky and Earth. Sky had no door like it does now. There was no night, like now. Wanadi is like a sun that never sets. It was always day. The Earth was like a part of the Sky.

The Kahuhana had many houses and villages in Kahuña and they were all filled with light. No one lived on the Earth. There was no one there, nothing, just the Earth and nothing else.

Wanadi said: "I want to make people down there."

He sent his messenger, a damodede. He was born here to make houses and good people, like in the Sky Place.

That damodede was Wanadi's spirit. He was the Earth's first Wanadi, made by the other Wanadi who lives in Kahuña. That other Wanadi never came down to the Earth. The one that came was the other's spirit.

Later on, two more damodede came here. They were other forms of Wanadi's spirit.

The first Wanadi to come was called Seruhe Ianadi, the Wise. When he came, he brought knowledge, tobacco, the maraca, and the wiriki. He smoked and he sang and he made the old people.

That was a long time before us, the people of today.

When that spirit was born, he cut his navel-cord and buried the placenta. He didn't know. Now the worms got into the placenta and they started to eat it. The placenta rotted.

As it rotted, it gave birth to a man, a human creature, ugly and evil and all covered with hair like an animal.

It was Kahu.

He has different names. They call him Kahushawa and Odosha too. This man was very evil.

He was jealous of Wanadi. He wanted to be master of the Earth. Because of him, we suffer now. There's hunger, sickness and war. He's the father of all the Odoshankomo. Now, because of him, we die.

When that old Wanadi's placenta rotted, Odosha sprang out of the Earth like a spear.

He said: "This Earth is mine. Now there's going to be war. I'm going to chase Wanadi out of here."

He misled those people who had just been born. He taught them to kill. There was a man fishing. He had lots of fish. Odosha told them: "If you kill him, you'll have lots of fish."

They killed him. Odosha was happy. Then the people were turned into animals as punishment.

Because of Odosha, Seruhe lanadi couldn't do anything on Earth. He went back to the Sky and left the old people as animals with Odosha.

He didn't leave any of Wanadi's people on the Earth though. That was the end of the first people.

The birth of Kahu on that old Earth is a sign to us, the people of today. When a baby is born, we should never bury the placenta. The worms get it. It rots.

Another Odosha will come again, like in the beginning to hurt the baby, to kill it.

Like what happened when Kahu fought against Wanadi for control of the Earth. When a baby is born, we put the placenta in a nest of white ants. It's safe there. The worms can't get it.

That was the story of the old people. That's all.

To purchase "Watunna: An Orinoco Creation Cycle" click here:

Thursday, November 5, 2009

Seven Yanomami die in suspected swine flu outbreak


Seven Yanomami Indians living on the border between Venezuela and Brazil have died from an outbreak of the Type A H1NI "swine flu" virus in the last three weeks, according to reports from Venezuelan sources and the UK-based NGO Survival International.

Raidan Bernade, a Venezuelan doctor based in La Esmeralda on the Orinoco, said that a 35-year-old Yanomami woman was confirmed to have died from swine flu but it was not possible to confirm that the six babies who died - the oldest just 1-year-old - had died of the illness.

Some 1,000 Yanomami are reported to have contracted the virus and Yamilet Mirabal, the government's deputy minister of indigenous affairs for the region, has confirmed that suspected cases of swine flu had been detected in the jungle villages of Mavaca, Platanal and Hatakoa and that medical teams had been dispatched to treat the sick.

Bernade, meanwhile, told news agencies that: "everything is under control" and that many of the flu cases the indigenous Yanomami are suffering from are down to a seasonal flu.

The UK-based indigenous rights group Survival International has called on the governments of Venezuela and Brazil to take urgent action to protect the 32,000 Yanomami who live in the isolated border area, where there is little access to medical care.

"The situation is critical. Both governments must take immediate action to halt the epidemic and radically improve the health care to the Yanomami. If they do not, we could once more see hundreds of Yanomami dying of treatable diseases," said Stephen Corry, director of Survival International.

"This would be utterly devastating for this isolated tribe, whose population has only just recovered from the epidemics which decimated their population 20 years ago," he added, referring to malaria outbreaks in the 1980s and 1990s introduced by wildcat gold miners known as garimpeiros.

The Yanomami, who are linguistically and culturally related to the Sanema, are the largest relatively isolated tribe in the Amazon rainforest and due to their isolation have very little resistance to introduced diseases such as flu.

Click here to read Yanomami Myth 1: The Origin of Fire

Click here to read Yanomami Myth 2: The Origin of Endo-Cannibalism

Video of Sanema Shaman Ritual with Bruce Parry

Saturday, July 11, 2009

The Dolphin People: Novel set in Venezuelan jungle


A small plane crashes deep in the Venezuelan jungle. A family fleeing the post-WWII nightmare of occupied Germany is captured by a warlike tribe living far from civilization who think they are magical river dolphins in human form. Can they keep up the pretence? Or will they be discovered and cast out or even killed?

To read more about Torsten Krol's debut novel "The Dolphin People" click here:

Saturday, April 4, 2009

Kariña Myth 2: Kaputa and the Great Flood

This Kariña myth recounts the arrival on Earth of the creator god Kaputa, who comes to warn his people that a great flood is coming. Many similarities have been drawn between this story and the Biblical flood story of Noah and the Ark. The idea of all the animals entering the great canoe in pairs and the seeds of all the plants also being stored is very similar.

Whether it is an adaptation of the biblical story passed on to the Kariña by missionaries and adapted by them, or an original Kariña myth is almost impossible to say, although the annual flooding of the major rivers in Venezuela during the rainy season has given rise to many myths. The text is taken from Father Cesareo de Armellada´s book: "Literaturas Indigenas de Venezuela" (Monte Avila Editores, 1991).


The Great Canoe

One day Kaputa came to the land of the Kariñas to tell them that the world was going to be flooded and nobody would survive unless they quickly built a great canoe and got in.

- My children, a great rain is going to fall. It will rain for many nights and many days.

But out of all the Indians only four couples were afraid; the rest didn't believe him.

- My children, help me to build a canoe we can all get in before the rains swell the rivers. That way we won't drown.

- What do you mean everything's going to be flooded? That just couldn't happen, they said, unconvinced.

- I am Kaputa, the father and creator of the Kariña. I don't want my children to die

- You're not Kaputa, the Indians said, except for the four couples who began to build a great canoe.

When they had finished they began to put different animals inside in pairs, and a seed for each plant.

Then the day turned to night as the sky darkened and it began to rain for months without stopping.

The rivers broke their banks and flooded the land. The water rose so high that it covered the highest trees.

When the flooding began everybody wanted to get into the great canoe but Kaputa said:

- You thought I wasn't kaputa! You didn't want to build the canoe! Well, now you will drown.

Translated by Russell Maddicks

Kariña Myth 1: The Twins and the Origin of Yuca

Friday, August 15, 2008

Maria Lionza - indigenous myth or folk legend?



This is just one version of the many myths that have been linked to Maria Lionza, the cult figure from Yaracuy State who is venerated throughout Venezuela.

With so little known about the origins of the cult it is impossible to know if Maria Lionza was a real historical figure or if the legends refer to an Indian girl from one of the historical tribes that inhabited the area around Chivacoa, where the sacred mountain of Sorte is located.

What is clear is that adherents of the cult, who refer to her simply as "La Reina" ("The Queen"), have continuously added stories and attributes to this local folk figure to increase her importance and power.

Adding to the confusion is the iconography of Maria Lionza. In some images she is shown as a Virgin Mary figure, others depict a European-looking lady with green eyes, an elegant dress and a crown.

The most famous image of her is the statue by Alejandro Colina which was placed on the Francisco Fajardo Freeway in Caracas in 1953 by the dictator Marcos Perez Jimenez. It shows a muscular indigenous woman sitting astride a tapir and holding aloft a female pelvis.

In the late 1940s and early 1950s the cult became more widespread as people from the countryside moved to Caracas and other big cities. It was also a time when writers and artists were looking back to Venezuela's indigenous past in response to a spate of archaeological finds from the late 1930s and there was a conscious attempt to link "La Reina" to this rediscovered past.


Yara, or Maria Lionza as she was known afterwards, was an indigenous princess. She was the daughter of Yaracuy, the chief of the Nivar tribe, the granddaughter of Chief Chilua and the great-granddaughter of Chief Yare, all great warriors and leaders.

The birth of Maria Lionza must have occurred around the year 1535 in the state that today is named after her father.

The shaman of the village had predicted before Yara was born that if a girl was born with strange, watery-green eyes, she would have to sacrificed and offered to the Master of the Waters, the Great Anaconda, because if not it would lead to the ruin and extinction of the Nivar tribe.

However, her father was unable to sacrifice her and so he hid the little girl in a mountain cave, with 22 warriors to watch over her and stop her from leaving.

She was also forbidden from looking at her image reflected in water.

But one day, her guards were mysteriously put to sleep and the beautiful young girl left the cave and walked to a lagoon, where she looked into the water and saw her reflection for the first time.

Captivated by her own image, she was unable to move, but her presence awakened the Master of the Waters, the Great Anaconda, who emerged from the depths, fell in love with the girl, and drew closer to take her away.

When she resisted its advances the anaconda swallowed the girl, but immediately he began to swell up, forcing the water out of the lagoon, flooding the village and drowning the tribe.

Finally, the anaconda burst and Maria Lionza was set free, becoming the owner of the lagoon, the river and the waters, the protecter of the fish and later of all the plants and animals.

Translated from various sources by Russell Maddicks